Nathan is the Division Manager, Community Development at Kitchener Public Library where he oversees the Heffner Recording Studios + Commons Studio film-making project, Fundraising, Well-Being and Community Connections teams, and Events.

Prior to working at the library, Nathan worked for over a decade coordinating projects of The Working Centre: an innovative community building organization in downtown Kitchener serving marginalized populations.

Nathan is a PhD student, holds an MA in Community Music and is a Canadian lecturer, musician, multi-genre artist, arts administrator, and community advocate.

Integrated CV: Overview

  • PhD Student, MA in Community Music, Graduate Certificate in Creative Writing, BA in English Literature

    • Experienced teacher in University, institutional, community, emergent and innovative settings

    • Published academic and creative author, editor, and contributor 

  • Division Manager, Community Development at Kitchener Public Library, and Coordinator at The Working Centre

    • Responsible for the planning, implementation, and overview of diverse arts, community and service projects  

    • Awarded and successfully administered arts and community grants

    • Accomplished fundraiser and celebrated collaborator

  • Established professional and community musician, film-maker, multimedia and video-artist

    • Accomplished songwriter, recording artist, producer, and multi-instrumentalist

    • Installation artist working in partnership with artists across visual and auditory mediums

    • Proficient camera operator, producer and director using RED camera kits, Black Magic 6k Pocket Cinema Pro arrays, Canon packages    

Education

PhD: Philosophy, Community Music, Wilfrid Laurier University, Waterloo, ON 2023 - Present

Doctoral Special Seminars

  • Indigenous Perspectives

  • Community Music Therapy

  • Advanced Research Intensive

  • Utilizing music to recover mental health challenges

  • Music and Spirituality

  • Music and Life Span

  • Special PhD Seminar with Dr. Ansdell: (i) research stance/positionality, (ii) logic of research/method (iii) critical research reading, (iv) research writing

Master of Arts: Community Music, Wilfrid Laurier University, Waterloo, ON 2019

  • Selected course list: 

    • Community Music Practices and Leadership

    • Qualitative Research Methods

    • Creativity and Interdisciplinary Arts

    • New Media, Business, Administration and Marketing (Agile Methodology)

    • Music and Meaning in Community Contexts

Creative Writing Graduate Certificate, Humber School of Writing: Humber College, Toronto, ON 2007

  • One-to-one supervision and mentorship program with Giller Award winner David Bergen 

Bachelor of Arts: English Literature (Honours), Redeemer University, Hamilton, ON 2005

  • Special emphasis on creative writing via two independent research courses designed and implemented with writer in residence Hugh Cook

Publications

“In-Flux”, CMA Conference Proceedings, Tampere University, Tampere, FI 2024 (Pending)

“Reflections of Reflections: The stories of two community music students intertwined”, CMA Conference Proceedings, Tampere University, Tampere, FI 2024 (Pending)

  • Co-authored with Mason Smyth and Niki Kazemzadeh

“The Music of The Working Centre: Fresh Ground”, CMA Conference Proceedings, Helsinki, FI 2020

  • Arts-Based research, abstract, artist’s statement, paper, provocations

“Alternative Methods for Alternative People: Facilitated Community Music Activities within an Alternative Healthcare Model”, CMA Conference Proceedings, Helsinki, FI 2020

  • Abstract, pecha kucha presentation, project update, provocations, script

“Community Music at the Boundaries” (Student Editor, uncredited), WLU Press, Waterloo, ON 2021

  • Scholarly Non-fiction:

    Music lives where people live. The Eurocentric way music has been studied has excluded communities that are considered to be marginalized in one or more ways despite that the majority of human experiences with music is found outside of that realm. Community music has emerged as a counter-narrative to the hegemonic music canon: it seeks to increase the participation of those living on the boundaries.

“Coward”, Pif Magazine, Seattle, WA 01/10/2010

  • Short fiction:

    A young man confronts loss, regret, and hubris through the recurring imagery of his lover’s mangled engagement ring   

“Coward” (excerpt), Dogzplot Flash Fiction, Online Publication 01/08/2010

Umbrella’d”, TOURIST Magazine, London, UK 15/08/2010

  • Short fiction:

    Two strangers meet under the shelter of an umbrella and must introduce and reintroduce themselves to one another as the conditions in the microcosm evolve and corroborate to foster intimacy at an accelerated rate.

“Exodus of all the Magic Animals”, TOURIST Magazine, London, UK 15/07/2010

  • Short fiction:

    Magic Realism at its most intimate—two characters confront their ‘humanity’ in the wake of sudden loss.

Training, Conferences and Workshops

Ontario Library Association Super Conference, Ontario Library Association, Toronto, ON 2022, 2025

Safe Drug Use, Harm-reduction and Naloxone Training, Sanguen, Kitchener, ON 2025

Cyber Awareness Training, Wilfrid Laurier University, Waterloo, ON 2024

AODA Integrated Accessibility Training, Wilfrid Laurier University, Waterloo, ON 2024

Community Music Activity Commission Conference,  International Society for Music Education, Tampere, FI 2020, 2024

Level A First Aid CPR/AED Certificate, St. John’s Ambulance, Kitchener, ON 2024

London City of Music Conference,  London Music Office, London, ON 2023, 2024

GTA Training: Mental Health, Wellness, and a Caring Community Training, Wilfrid Laurier University, Waterloo, ON 2024

Young Worker Health and Safety Training, Wilfrid Laurier University, Waterloo, ON 2024

Certificate, Music Care Conference, Room 217 Foundation, Waterloo, ON 2024

Indigenous Allyship - Training Series, Crow Shield Lodge, Kitchener Public Library, Kitchener, ON 2022

AFP Congress, The Association of Fundraising Professionals Greater Toronto Chapter, Toronto, ON 2021

Intercultural Development, Diversipro and Kitchener Public Library, Kitchener, ON 2021

  • Individual and organizational Intercultural Development Inventory (IDI), assessment, and training

Land-Based Indigenous Allyship - Training Seminar, Crow Shield Lodge, New Hamburg, ON 2021

Indigenous Peoples and System -  Training Seminar, Crow Shield Lodge, New Hamburg, ON 2021

Ministry of Labour Health and Safety Training, Kitchener Public Library, Kitchener, ON 2021

WHMIS Training, Kitchener Public Library, Kitchener, ON 2021

PPE Training for Frontline Staff, Sanguen, Kitchener, ON 2020

Ethics Certificate, TCPS 2: Core, Panel on Research Ethics, Wilfrid Laurier University, Waterloo, ON 2018

  • Completed the Tri-Council Policy Statement: Ethical Conduct for Research Involving Humans Course on Research Ethics training

Blanket Exercise, Wilfrid Laurier University, Waterloo, ON 2018

  • In 1996, the Aboriginal Rights Coalition worked with Indigenous elders and teachers to develop an interactive way of learning the history most Canadians are never taught. The Blanket Exercise was the result; it has since been offered thousands of times and the fourth edition was released in 2016

Affiliations and Memberships

Member, Arts and Culture Advisory Committee, City of Kitchener, Kitchener, ON 2025-Present

Junior Fellow, Laurier Centre for Music in the Community Research Centre, Wilfrid Laurier University, Waterloo, ON 2025 (pending)

Member, CULC Safety and Security Team, Canadian Urban Libraries Council, CA 2024-Present

Member, Builders Club, Kitchener, ON 2024-Present

  • A  high-trust community where ambitious people connect, experiment, and execute.

Executive Committee Member, Grand River Black Music Festival and Conference, Kitchener, ON 2022-Present

University Teaching, Partnership, and Facilitation

Instructor, MU622: Creativity & Interdiscip. Arts, Wilfrid Laurier University, Waterloo, ON 2025

Teaching Assistant, MU623, 621, 440, 240, Wilfrid Laurier University, Waterloo, ON 2023-2025

  • “New Media, Business, Administration and Marketing”,  “Community Music Practice and Leadership” (graduate level courses);  “Music Making and Social Justice”,  “Community Music Capstone” (undergraduate level courses)

Guest Lecture and Workshop Facilitation, MU622: Creativity & Interdisciplinary Arts, Wilfrid Laurier University, Waterloo, ON 2020, 2021, 2022, 2023

  • Coordinated a 2.5hr module that included a lecture on film-making philosophy and techniques, and my practice in the field through the lens of an arts administrator, film-maker, community and professional musician

    • This lecture was prepared to complement an immersive film-making workshop at Commons Studio, and adjusted for online presentation when pandemic restrictions dictated

    • Students engaged with framing and three-point-lighting techniques independently via household lighting resources, camera phones/tables/webcams over Zoom, and participated in a video scavenger hunt where uploaded clips were critiqued for technique, intent, evocation, and meaning

Producer and Community Partner, MU246: CM Ensemble II, Wilfrid Laurier University and Kitchener Public Library, Kitchener, ON 2022

  • Partnered with Faculty of Music to produce multi-camera, multitrack recordings of student ensembles in theatre and studio settings

  • Acted as producer, director, camera operator and editor

Guest Lecture, MU620: Music and Meaning in Community, Wilfrid Laurier University, Waterloo, ON 2020

  • Lecture and discussion with MA students: “Towards a Philosophy of Community Music”

Community Partner and Guest Lecturer, MU340: Community Music Principles and Practices, Wilfrid Laurier University, Waterloo, ON 2018-2020

  • Worked collaboratively with course instructor to re-designed MU340 for online delivery and pandemic relevance amidst COVID 19 restrictions and their impact on in-person placements

  • Guest lectures: “Working Centre Philosophy of Community Development”; “Introduction to Film-making”

  • Mentored two groups of students as they researched and prepared curriculum for alternative music education projects at The Working Centre: for young-adult residents at Water Street House for tri-morbid individuals, and preschool-to-middle school  aged students in a cooperative “Pod School” acting as an emergency daycare for essential workers of The Working Centre

  • Integrated community music students into Working Centre and Commons Studio placements and activities

I’ve found this past week to be really rewarding as a student. Amidst all the craziness of COVID-19, I was unsure when I’d be able to feel like the work I was doing was relevant. In-person interactions seemed unlikely, and I found that a lot of school work I was doing felt unimportant or disconnected. I found that being involved with Nathan and actively seeking out ways to be useful at the Water Street House gave me that sense of usefulness in my academic life.
— Anonymous MU340 Student
I appreciate that [Nathan] is able to acknowledge his privilege and power, and uses it to elevate the voices and experiences of the most marginalized. This example has impacted the way that I approach my practice as a community musician and has challenged me to re evaluate the ways that I engage with those around me who are marginalized.
— Samantha Tai, MU340 Student

Community Partner and Panelist: “System Navigation”, CMEG301: Social Inclusion, Local Democracy and Community Enterprise, Wilfrid Laurier University, Waterloo, ON 2018-2020

  • Integrated CMEG students into Working Centre and Commons Studio placements and activities

  • Acted as a liaison and support person to Laurier and Working Centre staff 

Teaching Assistant, MU101: Music and its Contexts, Wilfrid Laurier University, Waterloo, ON 2018-2019

  • Taught weekly sessionals, held office hours, graded papers, administered and coordinated online grade-book and e-learning in MyLearningSpace.com

Awards, Grants & Scholarships

Lois and Charles MacDonald Music Bursary, Wilfrid Laurier University, Waterloo, ON 2024, 2025

Laurier Graduate Scholarship, Wilfrid Laurier University, Waterloo, ON 2019, 2024, 2025

President's Scholarship – Graduate, Wilfrid Laurier University, Waterloo, ON 2024

Micro-grants for Waterloo Region “In-Flux”, Pat the Dog Theatre Creation, Kitchener, ON 2023

SSHRC Grant, Collaborator and Researcher: “Hope Through Hip Hop”, Wilfrid Laurier University, Waterloo, ON 2022

SSHRC Grant, Collaborator: “Mel Brown Music Festival and Symposium”, Wilfrid Laurier University, Waterloo, ON 2021

Arts Grant: “Imperfect Palindrome” Song Cycle, Region of Waterloo Arts Fund, Waterloo, ON 2019

  • This successful application was built-off of an independent research project with Dr. Yun as part of the MA in Community Music program at Laurier 

The value of this project lies in the innovative approach. This not just another composer producing an album. The work is informed by Mr. Stretch’s excellent creative skills combined with a keen mind directed towards community music values. That is, the work is ultimately a strong step towards individual and community awareness — a key component in community building we sorely need from our arts. I give this project the highest recommendation. If funded, it will make a significant and positive contribution.
— Dr. Gerard Yun, Professor, Community Music, Wilfrid Laurier University

Arts Grant: “Dynamite Quartz” Collaborative Multimedia Arts Project, Region of Waterloo Arts Fund, Waterloo, ON  2018

  • Featuring large-scale collage by artist Phil Irish, and sound design by Joseph Murray

Arts Grant: “Threes” EP, Region of Waterloo Arts Fund, Waterloo, ON 2017

  • Featuring members of the Kitchener-Waterloo Symphony Orchestra

Arts Grant: “Be Your Man (Giant Eyeball Version)” Video Art Project, Region of Waterloo Arts Fund, Waterloo, ON  2015

Arts Grant: “Bass Lions” EP,
Region of Waterloo Arts Fund, Waterloo, ON 2014

Arts Grant: “Body Doubles” Video Art Project, Region of Waterloo Arts Fund, Waterloo, ON 2013

Arts Acclaim Award, “Reily” LP,
City of Brampton, Brampton, ON 2007

Research Presentations and Invited Talks / Performance / Participation

Panelist - “Do More Good Dialogue: Hangouts, Havens, and Hubs”, Waterloo Region Community Foundation and Gehl Institute, Kitchener, ON 2025

Invited Participant - “Collaboration Workshop - Downtown Kitchener Safety & Security”, City of Kitchener, DTK Business Association & Region of Waterloo, Kitchener, ON 2025

Workshop Leader - “CULC/CBUC Safety and Security Toolkit: a Year Later” & “Safety and Security: Integrating Wellbeing & Community Connections Teams”, OLA Super Conference, Toronto, ON 2025

Presentation - “In-Flux: Measuring Experience”, Music Care “Music through the Lifespan” Conference, Room 217 Foundation, Waterloo, ON 2024

Presentation - “In-Flux: The Ethical Significance of Nonrepresentational Art in Public Space, CMA ISME Conference, Tampere, FI 2024

Performance and Presentation - “In-Flux”, Kitchener Public Library, Kitchener, ON 2023

  • With Dr. Gerard Yun

Co-presentation - London City of Music Conference: “Mel Brown Music Festival and Symposium: Celebrating Black Music, Building Meaningful Relationships”, London Music Office, London, ON 2023

Panelist - London City of Music Conference: “Music in all the Alt Spaces”, London Music Office, London, ON 2023

  • The concept of ‘meanwhile space’ is growing in popularity as we explore ways to better use facilities, infrastructure and workspace that predominately sits idle or vacant beyond the traditional 9am - 5pm work schedule. This panel explores the use of non-traditional performance venues and the role that municipalities can play in supporting emerging talent in unique and underutilized spaces.

  • Moderated by Adam Sturgeon Musician, Ombiigizi & Status/Non-Status, with: Laura Simpson CEO/Co-founder, Side Door, Savanah Sewell Founder The Grickle Grass Festival, Winter Spectacular, London Girls Rock Camp, Andrew Chung Artistic Producer, London Symphonia

Lecture and Provocations - Winter School: “Community Music, Public Space and Climate Justice”, Wilfrid Laurier University, UK, Canada, Germany, Ireland 2022

Discussion and Performance - Virtual Noon Hour Concert Series: “Connecting with Nature”, University of Waterloo: Conrad Grebel University College, Waterloo, ON 2022

  • Improvised and composed music performance for shakuhachi, effected guitar, acoustic guitar, and bio-sonification of plants with Dr. Gerard Yun

  • Discussion: shakuhachi as a trans-cultural instrument and facilitating element in integrated performance and bleeding-edge musical experimentation with bio-sonification

Invited Artist Talk: “enCompass”, Redeemer University, Hamilton, ON 2022

Co-Presentation: “Integrated Marketing at the Library”, Ontario Library Association Super Conference “Gather”, Toronto, ON 2022

  • Juried presentation

  • With Shirley Luu

Presentation and Integrated Performance: “The Grand River Watershed at Fresh Ground”, Fresh Ground, Kitchener, ON 2021

  • Group improvisations for graphic notation, dance, vocalizations, electronic vocal manipulation, found sounds & recordings, and guitar pedals

Presentation: “The Music of The Working Centre: Fresh Ground”, CMA ISME Seminar, Helsinki 2020

  • Arts-based research project presentation, short paper, and moderated discussion

This audio presentation was specially calibrated for headphones

Pecha Kucha Co-presentation: “Alternative Methods for Alternative People: Facilitated Community Music Activities within an Alternative Healthcare Model”, CMA ISME Seminar, Helsinki 2020

  • With Niki Kazemzadeh, MA

Panelist: “Home”, Sing Fires of Justice Festival, Waterloo Region, ON 2020

  • Roundtable discussion on “Home” with Jean Becker (Senior Director, Indigenous Initiatives UW), and Bashar lulu Jabour (self-styled “Immigrant Poet”), and Debbie Lou Ludolph (Director of the Kanata Centre for Worship and Global Song at Martin Luther University College)

Discussion on “Home” starts at 29:00

Featured Musician: “Contemplative Music Pause” Sessions, Kanata Centre for Worship and Global Song at Martin Luther University College, Waterloo, ON 2019, 2020

  • Improvisations for electric guitar, effects pedals, and shakuhachi in collaboration with Dr. Yun 

Public Lecture and Installation: “The Music of The Working Centre: Fresh Ground”, Fresh Ground, Kitchener, ON 2019

  • Capstone event for MA in Community Music: Wilfrid Laurier University

  • Public Lecture and Arts Based Research (sounded installation) presentation, followed by Q&A

Invited Talk: “Imperfect Palindrome”, X-Camera Experimental Learning Circle: Inter Arts Matrix, Fresh Ground, Kitchener, ON 2019

  • Described my evolving artistic practice in music, film, soundscape and installation toward an emerging understanding of “music in the community”

Invited Talks: “How an Ecosystem Develops: The Thinking and Practice Behind Community Tools, and “‘Emergence’ in Community Building”, Summer Institute in Grassroots Sustainability, The Working Centre, Kitchener, ON 2018, 2019

Invited Talk: “Pastoral Circle as Methodology”, Summer Institute in Grassroots Sustainability, The Working Centre, Kitchener, ON 2015, 2016, 2017

Featured Musician, Cross-Genre Collaborative Workshop Series with the Kitchener-Waterloo Symphony Orchestra, Waterloo Region, ON 2011 & 2012

  • Featuring award winning Conductor Edwin Outwater

Invited Talk/Reading, English Department: Redeemer University, Hamilton, ON 2007

  • Featuring students from the MA of English in the Field of Creative Writing  program at UofT

  • Read excerpts of original fiction workshopped with David Bergen at Humber School of Writing


Relevant Work History

Division Manager, Community Development; Community Development - Manager, Kitchener Public Library, Kitchener, ON 2021-Present

Coordinator (Executive Team), Integrated Supportive Housing, The Working Centre, Kitchener, ON 2012-2021

Employment Counselor; Supportive Housing Worker; Teen Program Specialist, The Working Centre, Kitchener, ON 2009-2012

Skills and Experience

Programming and Events

  • Led system-wide programming initiatives at KPL and The Working Centre, managing annual series, large-scale festivals, and sponsoring emergent programs grounded in co-design, local partnerships, and strategic outcomes (e.g., Author Talks, workshops for Black youth, arts-based installations).

  • Oversaw program evaluation design using mixed methods—combining attendance data, feedback loops, and thematic analysis to drive continuous improvement and outcome measurement.

  • Developed collaborative programs that integrated digital tools and equity strategies (e.g., installation art, community storytelling, immersive film modules), amplifying access to creative and learning opportunities.

Creative Resources Management

  • Managed a suite of creative resources and spaces including Heffner Studio, Commons Studio, digital media labs, and film-making equipment, developing policies, best-practices, and partnership strategies that expanded public reach, and supported targeted revenue generation.

  • Designed and implemented staff and customer training in creative media tools, increasing digital independence, problem solving, and self-guided access through community-led initiatives.

  • Developed successful grant proposals and business cases for capital expansion and resource acquisition, balancing creativity, cost, and accessibility.

Strategic Planning and Governance

  • Direct contributor to KPL’s strategic planning process, collaborating with Board members, senior staff and consultants to design vision-and-values-aligned strategies with measurable outcomes.

  • Acted as a governance liaison and executive-level strategist at The Working Centre, assisting with board packages and facilitating distributive decision-making through the “Common Table” model.

  • Delivered presentations and written reports to Boards and executive teams across sectors, synthesizing complex operational and community insights into actionable planning.

  • Completed training in institutional governance, collective agreements, policy development, and inclusive public service through The Working Centre, KPL, Laurier, and affiliated organizations.

Fund Development and Revenue Generation

  • Designed and executed multi-stream fund development strategies at KPL and The Working Centre, integrating major giving, annual campaigns, rentals, sponsorship, and naming rights.

  • Wrote successful grant applications securing over $8.3 million over eight years in institutional funding and stewarded relationships with private, municipal, provincial, and federal funders.

  • Created and co-created rate cards, decks, reports, and business cases to develop and support social enterprise initiatives like the Commons Studio and venue rental projects.

  • Increased year-end donor participation by over 30% year-over-year through targeted, community-informed campaigns.

Customer Insight, Equity and Service Design

  • Led program and service design and implementation across multiple projects and spaces at KPL and The Working Centre, gathering direct user feedback and integrating co-design methods into service planning and delivery.

  • Contributed to equity audits and responsive hiring practices, and co-led institution-wide implementation of the Truth and Reconciliation Commission’s 94 Calls to Action at TRC Committee.

  • Trained in Design Thinking, Indigenous Allyship, Intercultural Development, mental health and wellness, and harm reduction, supporting the creation of safe, responsive, and innovative public services.

  • Applied a combination of qualitative research methods (e.g., interviews, thematic analysis, focus groups, autoethnography) and quantitative data analysis (e.g., CRM and dashboard metrics, evaluation design, logic models) to evaluate services and shape policy.

Marketing, Communications, and Community Engagement

  • Oversaw integrated marketing strategies across KPL's web, print, and social channels, including an equity-centered redesign of the public-facing website in 2022.

  • Co-presented “Redefining Marketing at the Library” at the Ontario Library Association Super Conference (2022), emphasizing community-responsive communications and integrated marketing philosophy.

  • Designed impact-driven messaging for donor engagement and public advocacy, integrating institutional storytelling with qualitative research findings and data visualization.

  • Extensive experience in media relations, report writing, and public representation, including interviews, speaking engagements, and community panels.

Leadership, Supervision, and Culture Building

  • Built and supervised high-performing unionized and non-unionized teams across community service organizations.

  • Designed and delivered innovative training modules in frontline and equity-oriented service, including workshops on relational ethics and institutional transformation.

  • Embedded values of community, equity, and responsiveness through leadership roles at KPL and The Working Centre, and through national work with CULC and the Grand River Black Music Festival.

  • Actively promoted workplace culture, mentorship, and succession planning, empowering managers and staff to lead change and co-design projects aligned with strategic goals and outcomes.

Data, Digital Innovation, and Creative Technology

  • Oversaw studio infrastructure and strategy at KPL, including Heffner Studio and Commons Studio, integrating digital creation with community engagement, film-making, and education.

  • Led data collection and reporting projects using both CRM systems and custom dashboards to inform executive decision-making and Board reporting (e.g. Wellbeing & Community Connections monthly stats reporting, Commons Studio and Frontstream/Giftworks CRM).

  • Applied digital tools and AI-enabled research strategies through both academic and public-sector roles, including SSHRC-funded initiatives in digital storytelling and community-based inquiry.

  • Participated in institutional digital strategy development including web UX, intranet design, and product planning for accessible, user-focused service delivery at KPL and The Working Centre.

Education and Research Training

  • PhD Student at Wilfrid Laurier University with advanced doctoral training in qualitative, quantitative and mixed methodologies, including constructivist grounded theory, phenomenology, a/r/tography, autoethnography, participatory action research, and ethical research design including the use of web-based survey and data collection instruments.

  • Completed doctoral seminars on research logic, positionality, research writing, and critical methodology, and led research-creation projects incorporating both ethnographic and analytic methods.

  • MA in Community Music with coursework in qualitative research, new media administration, community engagement, and evaluation frameworks.

  • Completed TCPS 2 Core Certificate in Research Ethics, ensuring rigorous adherence to ethical protocols in human-subject research.

  • Delivered local, national and international conference presentations and workshops on mixed methods research in music, ethics, and community development, integrating empirical and experiential insights into practice.

Collections and Local History

  • Directed the development and stewardship of both traditional and non-traditional library collections at KPL, including physical and digital assets, ensuring alignment with diverse community needs, equity frameworks, and strategic outcomes.

  • Co-led KPL’s TRC Committee, integrating community-informed policies to diversify collections and embed Indigenous and equity-deserving voices across services.

  • Contributed to the stewardship and digitization of local history materials through Commons Studio, including the archiving of over 25 years of Good Work News and documentary filmmaking projects centered on local histories at The Working Centre.

Recording Artist “Bass Lions”, Nevado Records & Fortnight Music, Toronto & Guelph, ON 2007-2018 

  • Acted as principal songwriter and arranger; contributed principle guitar, bass and vocals, and secondary percussion and keyboards live and in studio

  • Wrote and secured grants, prepared budgets, and met all reporting requirements

    • Projects have received multiple arts grants since shifting focus to include available granting opportunities as part of a diversified funding model

    • Raised complimentary capital from individuals and independent bodies, and secured in-kind contributions from invested corporate partners  

  • Prepared and executed communications plans for pre-release, release, and post-release components of multiple record release campaigns and tours

  • Negotiated contracts for representation and distribution with record labels, management and promotional organizations

  • Solicited and contracted producers, graphic designers and artists, photographers, videographers, guest artists, and members of the KW Symphony Orchestra to partner with on special projects 

  • Managed online presence and social media campaigns including Facebook, Bandcamp, CBC Radio, Instagram and Twitter profiles

  • Contributed media design including: website banners, posters, media packaging, one-sheets, photography, videography, video art, audio recording and mixing   

  • Acted as media contact during promotional campaigns, providing copy and participating in all online, print, and radio interviews

Work History Continued

Jurist, FACTOR Canada, CA 2018-Present

Music Teacher (part time), Cooperative “Pod” School at Fresh Ground, Kitchener, ON 2020-2021

Co-producer, “Drummer to Drummer” Web Series, Toronto ON & Halifax NS 2018-Present

Shelter Support Worker, Mission Services, Hamilton, ON 2007-2009

Music Coordinator and Musician (Volunteer), Youth Eventz, Hamilton and St. Jacobs, ON 2005-2011

Chapel Music Coordinator and Musician, Redeemer University, Hamilton, ON 2000-2005

Releases: Professional Recordings and Video Art

“In-Flux”, Nathan Stretch and Dr. Gerard Yun, Kitchener Public Library, Kitchener, ON 2024 - Present

  • Binaural, site-specific recording for installation art, shakuhachi and scissor lift

  • In progress

  • Calibrated for stereo headphone listening

“Crushed, my beloved”, Nathan Stretch and Phil Irish, Kitchener and Elora, ON 2022

  • Video Art: https://www.philirish.art/post/the-passion

  • "Crushed, My Beloved" explores dynamic and repetitive movement representative of people on a cyclical journey. While ultimately a hopeful installation, the subjects' emotional and physical arcs flow from high to low, and around again in a loop. It is a piece representing crushing weight, resilience and vulnerabilities of a shared humanity, featuring: a powerful young black woman, an elderly caucasian man, an asian person transitioning from female to male, and a middle-aged white woman with her two children -- all sharing intimate space and experience

“Perpetual Ceremony”, Nathan Stretch, Clarence Cachagee and Phil Irish, Kitchener, ON 2021

  • Mixed media, site-specific installation

  • The nearly two-story collage was iteratively assembled on-site by Irish, Stretch, community members, and Library Staff. It draws primarily from paintings representative of a “home” that is being simultaneously deconstructed and/or reconstructed — a dynamic energized by the interplay between graphic, photo-realistic, and abstracted elements. ⁠ ⁠ At the heart of the slashed, sculpted — and at times disruptive — colourful mass, a stark black-and-white video plays on a loop. The subject is engaged in what can be described as “perpetual ceremony”; the flame and smoke from a central smudge pot bind and cleanse the disparate pieces of the paper-based installation. The ritual is paced. The fire is tended — the smoke rises to the ceiling as gift.⁠

It’s enormous and intentionally so. We wanted to put something in the main lobby that would hold space and impose itself on space that isn’t usually used in this way in order to make a place for people to consider Truth and Reconciliation to contemplate and to have conversation.
— City News

“Dynamite Quartz”, Bass Lions, Independent Release, Kitchener, ON 2019

  • Video Single

  • Multimedia, video-art project produced in collaboration with large-scale collage artist Phil Irish, and sound designer Joseph Murray

“Threes” EP, Bass Lions, Independent Release, Kitchener, ON 2017

  • EP with members of the KW Symphony featuring original arrangements and composition

Bass Lions’ Threes will make music fans rejoice and other bands jealous.  It is a record not to be taken lightly.  From start to finish, Threes is innovating, refreshing, clever, and thoughtful.
— Canadian Beats Media

“Be Your Man (Giant Eyeball Version)”, Bass Lions, Fortnight Music, Guelph, ON 2015

  • Single – remix and accompanying video

“We Got Guts”, Bass Lions, Fortnight Music, Guelph, ON 2015

  • Video single

  • Filmed, edited and released at NIGHT/SHIFT, Kitchener’s nuit blanche style festival of the arts 

“Bass Lions” EP, Bass Lions, Fortnight Music, Guelph, ON 2014

  • EP of original music 

[Bass Lions’] music is interesting, complex and varied – combining alt-rock/alt-pop’s sense of melody and harmony with complex musical arrangements and time signatures you’d find in jazz music.
— Confront Magazine

“Body Doubles”, Bass Lions, Independent Release, Kitchener, ON 2013

  • Single - experimental simultaneous song/video creation and production

  • NIGHT/SHIFT official selection

“… is Diamonds”, Bass Lions, Nevado Digital / Fontana North, Toronto, ON 2010    

  • LP of original music

It takes just over 20 minutes for Bass Lions to get intimate ― every bit of this album feels like it’s being projected right in front of you. There are fuzzy guitars, tussled percussion, subtle keyboards and warm, steady guitars. Nathan Stretch and Janine Smienk take over the harmonies on longing lyrics of love, friends and shiny objects. …Is Diamonds shows great promise.
— Exclaim Magazine

“More than Islands”, Bass Lions, Nevado Records, Toronto, ON 2009

  • EP of original music

There’s a certain feel to Bass Lions’ debut EP, More Than Islands that any keen follower of the past two decades of Canadian rock will recognize. It’s an earthiness, coupled with a dark edge that suggests long, cold nights and barren highways. This has led to the band already drawing its fair share of comparisons to groups such as the Rheostatics.
— The Kitchener Record: Nightlife

Selected Performance and Installation

Nathan Stretch, Dr. Gerard Yun et al, “Into the Ma of Nature: Intermedia explorations of sound and sight”, Kitchener, ON 2024

  • Performance for shakuhachi, effected guitar, voice modulation, video, and bio-sonification of plants

Nathan Stretch and Dr. Gerard Yun, “In-Flux”, Kitchener, ON 2024

  • Concert and live recording of original composition “In-Flux”

Nathan Stretch and Phil Irish “Crushed, my beloved” Installation, (The) Passion, Hamilton, ON 2023

  • Video Art installation for screen hung perpendicular

Nathan Stretch “Tryptic” Installation, enCompass, Hamilton, ON 2022

  • Video art installation for three screens

Nathan Stretch and Dr. Gerard Yun “Plant Choir” Performance, Open Ears Festival, Kitchener, ON 2022

  • Audio installation and performance for shakuhachi, effected guitar, voice modulation, and bio-sonification of plants

Nathan Stretch and Phil Irish “Crushed, my beloved” Installation, Imago: “Crossings”, Kelly Library, Toronto, ON 2022

  • Outdoor Video Art installation

  • In collaboration with artist Phil Irish

Nathan Stretch, Clarence Cachagee, and Phil Irish “Perpetual Ceremony” Installation, Kitchener Public Library, Kitchener, ON 2021

  • Two-story installation for inaugural National Day for Truth and Reconciliation featuring indigenous ceremony, video art, and large scale collage

Bass Lions “Dynamite Quartz” Video Release Party, Commons Studio, Kitchener, ON 2019

  • Acoustic performance with video projection in the “Infinity Cove” at Commons Studio

  • Featuring large scale, immersive collage by artist Phil Irish 

Bass Lions “Threes” Listening Party and Installation, Fresh Ground, Kitchener, ON 2017

Bass Lions “Bass Lions” Performance, Riverfest Elora, Elora, ON 2015 

Bass Lions “Bass Lions” Performance, Koi Fest, Kitchener, ON 2015

Bass Lions “Bass Lions” Performance, Kazoo! Fest, Guelph, ON 2015

Bass Lions “Bass Lions” Tour, 18 Show Central to East Coast Tour, CA 2015

Bass Lions “Orchestra 2.0” Performance, Maxwell’s Music and Events, Waterloo, ON 2015

  • With members and associates of the Kitchener-Waterloo Symphony Orchestra

 

Bass Lions “We Got Guts” Installation and Performance, NIGHT/SHIFT, Kitchener, ON 2014

  • Interactive video shoot and subsequent presentation of completed video-art project during a complementary musical performance 

Bass Lions “Body Doubles” Installation, NIGHT/SHIFT, Kitchener, ON 2013

  • Interactive audio/video installation at Kitchener’s annual festival of the arts

Bass Lions “…is Diamonds” Tour, 15 Show Ontario Tour, CA 2011

Bass Lions “More than Islands” Tour, 10 Show Central to West Coast Tour, CA 2009

Reily “We Were Archaeologists” Performance, Sled Island Festival, Calgary, AB 2007

Reily “We Were Archaeologists” Tour, 24 Show East to West Coast Tour, CA 2007